RIP Carrie Fisher

Carrie Fisher, probably best known as Princess Leia, passed away today after suffering a heart attack days ago at the age of 60. It’s interesting, our relationships with strangers, and how the death of someone you might never have met and who you certainly didn’t know personally can still move you. I found myself deeply, deeply saddened this morning. Hearing the news was literally the first thing that happened after waking up and checking my phone.

The talented and versatile actress, the immensely honest and hilarious writer, the troubled and iconic artist meant a lot to me. I distinctly remember my dad popping in the old VHS tapes of the original Star Wars trilogy when I was four or five. I remember the very room I was in when I was introduced to Princess Leia for the first time. I remember how she stood stalwart in the face of evil, how she still didn’t break after her home planet was destroyed because the Rebellion was more important than that, how she mocked her enemies and called out shaky convictions, shot stormtroopers, strangled the life out of a mob boss with the very chain she was attached to, and led her people with poise.

Princess Leia could very well have been a first crush for me, but she was so much more: she was the strongest introduction into sci-fi and fantasy – something that has shaped my entire focus on fiction writing and escape through reading throughout my whole life – and, more importantly, my first introduction to a strong woman protagonist (a role that Ellen Ripley, Wonder Woman, Lara Croft, and Ellie from “The Last of Us”, among others, would go on to expand for me over the years). She showed me that you could be a damsel occasionally in distress and still be a kick-ass warrior, a canny tactician and politician, a romantic, and hilariously sarcastic. When I was writing the Convergence trilogy and creating characters like Alanna Ebere and Delia Bloom, Carrie would pop into my mind often, and served as tremendous inspiration towards creating characters I hoped were half as nuanced as Leia.

Beyond that, she was a fantastic writer, punching up screenplays, poking fun at herself, and through interviews and autobiographies, being unflinchingly honest about her issues with mental illness and substance abuse. She affirmed my belief that it’s unproductive, disingenuous, and actively harmful to lie or shy away from your past or your problems. She continued to convince me to always be open and honest in my own writing, even when it concerns myself. Especially then.

She was in other films, of course, and has done so much more. I could spend all day writing about my favorite interviews and stories about Carrie Fisher. I could write an entirely separate long post about When Harry Met Sally, another one of my favorite films of all time, or her hilarious turn in 30 Rock, but I’ve already written a lot, and it still doesn’t seem to be enough.

For some, Star Wars doesn’t make sense to enjoy. It’s fantasy in space. It’s ridiculous, the writing isn’t always great, there are plot holes large enough to fly a Star Destroyer through, and it largely centers around the same troubled family.

For me, it was the first avenue to a type of escapism that would literally save my life several times over the years, and the first inkling of the kind of storytelling I’d want to try and build a career on. A huge chunk of that was because of the strongest member of the Skywalker family, the princess who told Grand Moff Tarkin to his face that she could recognize his foul stench, the broken hearted but never broken willed woman who mocked a stormtrooper’s height after watching her entire planet explode along with everyone she loved.

You were my first heroine, Carrie Fisher, and have become an immortal icon. You were very, very much to me. Rest in peace.

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Read in Denver

There are crazy kinds of love. The lava-hot kind of love that steals breath and rubberizes knees. The kind that rushes in like a bullet train and turns common sense into metaphors (just like this). It’s the kind of love that can start at the sight of a sign in the middle of the sidewalk at nearly four in the morning.

You know, Auburn and Gabby’s kind of love.

Read in Denver is the story of small-town, increasingly introverted Auburn Parks, a moderately successful romance novelist who desperately wants to publish science-fiction. It’s the story of Gabriella Baker, an energetic but private artist strick through with wanderlust, searching for her place in the world by taking life day by day. This is the story of two hearts colliding, two minds exciting, that crazy kind of love.

And everything that goes with it.”

About a year ago, I got the idea for Read in Denver while writing an emotional farewell letter to someone I cared deeply about. Around ten months ago, unable to shake it, I set aside the science fiction novel I was working on and set about trying my hand at my first-ever long form love story. I wouldn’t call it a romance, though there are romantic details. It’s more simply just a story about art and love and messiness.

I’ve said to people before that this the most honest piece of fiction I’ve ever put to paper, and so it was difficult for me to push through and finish it. I invested a lot of real things that were said or done, overheard and felt, injecting a fictional narrative with what I hope comes across as authenticity.

I messed with narrative structure. I inserted a couple odd touches and made sure to play with callbacks and mirrors. I put together a soundtrack with and few suggestions but no real directions on how and when to listen to it.

In the end, I’m not sure what I got. Less a book, perhaps, and more an experience. Hopefully a good one.

You can find it for the Nook here: Read in Denver

You can find it for the Kindle here: Read in Denver
Or you can order paperback copies here: Read in Denver
If you decide to take a chance on the book, I genuinely hope you enjoy it. If you enjoy it, I hope you share it with your loved ones. Cheers.